It’s Parker’s first album in five years, and the culmination of his slow progression toward mainstream, cross-genre recognition. One thing here is recognizable: a gaping window in the living room, which looks just like the one pictured on the cover of The Slow Rush, Tame Impala’s fourth studio album, out - at last - Feb. 14 on Interscope. “This table is one of the first things we bought.” (He married Sophie Lawrence, a marketing strategist and ice cream company director, last February.) He chooses a seat at a metal table. “It has taken us a while to get around to furniture,” says Parker. ![]() There’s a bedsheet mangled on the outdoor sofa, as if someone recently slept under the stars. He settles on the sprawling balcony - from which he thinks he has glimpsed Brad Pitt taking walks on the hill below - to watch the sunset, a half-finished bottle of Corona in hand. ![]() “Sorry for the mess,” Parker, 34, mumbles politely, traipsing through the master bedroom, which is decorated with only a mattress and a splayed-open suitcase strewn with T-shirts. Late-afternoon sunlight beams through the bare windows onto the hardwood floors, where blue masking tape outlines where furniture will go, though a single, rogue bean bag chair seems to scoff at any such ambitions.
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